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News & Media

Latest ITER Newsline

  • Image of the week | The platform's quasi-final appearance

    Since preparation work began in 2007 on the stretch of land that was to host the 42-hectare ITER platform, regular photographic surveys have been organized to d [...]

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  • Cryopumps | Preparing for the cold tests

    Before being delivered to ITER, the torus and cryostat cryopumps are submitted to a  comprehensive series of factory acceptance tests. This is not sufficie [...]

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  • Fusion technologies | Closing a fusion schism

    Historically, inertial confinement and magnetic confinement approaches to fusion have been parallel, separate processes. The ITER Private Sector Fusion Workshop [...]

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  • Toroidal field coil celebration | "A good day for the world"

    A little before 2:00 a.m. on 17 April 2020 a powerful transport trailer, accompanied by dozens of technical and security vehicles, passed the gates of the I [...]

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  • Press conference | New baseline to prioritize robust start to exploitation

    At a press conference on 3 July attended by approximately 200 journalists and key ITER stakeholders, ITER Director-General Pietro Barabaschi answered questions [...]

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Of Interest

See archived entries

Image of week

Architectural challenges and solutions

An installation as massive as ITER, with a main complex rising 60 metres above ground and construction spreading over 42 hectares, could be a terrible eyesore and an offense to the beauty of its rural surroundings.

Photo EJF Riche - ITER Organization (Click to view larger version...)
Photo EJF Riche - ITER Organization
On the contrary, at ITER—thanks to the effort that went into its design and architecture—the scientific installation adds a spectacular touch to the landscape.

The architects at the Parisian firm ENIA, who planned the exterior aspect of the ITER buildings, wanted them to blend into the natural environment and at the same time express the highly technical nature of the research work being performed within.

The solution they chose, a cladding that alternates mirror-like stainless steel panels and grey-lacquered metal stripes, has proved efficient: on certain days, under certain light conditions, the buildings seem to disappear as they reflect the shades and colours of the changing skies.

In designing ITER Headquarters, Rudy Ricciotti—the award-winning architect of the Mucem museum in Marseille—and his local partner, Laurent Bonhomme, faced a different challenge: combining the functional requirements of a large office building with the daring architectural gesture that ITER deserved.

In their vision, the five-storey, 165-metre-long construction situated slightly below the ITER construction platform should be a "visual pedestal [...] a horizontal monolith responding to the exuberant verticality of the Tokamak Complex."

Here too, the architects succeeded. As is obvious in this picture, part of our most recent drone survey, architecture has bestowed a unique and unexpected beauty on ITER.



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